📷 Fine Art Photography Collections by Leigh Kemp 🎨

Shop for artwork based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee. Watermark does not appear on printed work.

📷 Fine Art Photography by Leigh Kemp 🎨

Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee. Watermark does not appear on printed work.
For commercial image licensing please visit my image licensing page
If you have an enquiry regarding my work please contact me.

📷 About Leigh 🎨

Music by Positively Dark courtesy of http://music.geisheker.com









All images are copyright © Leigh Kemp. All associated rights are reserved. Copying, altering, displaying or distributing these images without the expressed written permission from me is strictly prohibited.




Welcome to my artwork gallery and shop on Pixels.com. I work in a variety of techniques and styles including landscapes, riverscapes, abstract and surreal specialising in landscapes/travel. I have two new online exhibitions and I have published three books of my work.


MY ONLINE "VISUALISATIONS" GALLERIES.
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With this gallery I am trying to experiment with displaying my art in a more natural, domestic setting where I believe that it belongs and attempt to break away from the sterile and somewhat soulless gallery environment.

ARTSPACES (25 works)

Print Catalogue PDF
Exhibition Catalogue



VIRTUALGALLERY (24 works)

As I sit here looking at my modern digital cameras I’m reminded of my first camera and, in particular, the first photograph that I ever took. Nowadays we take cameras and camera technology pretty much for granted but when I was a child I can’t remember many photographs. The only time our camera saw the light of day, and it had to be the light of day, as there wasn’t a flash, was on a few family occasions, the usual thing, school sports days, birthdays, etc.. My interest in photography didn’t start until my grandfather “loaned” me his camera to take with me on a week-long school trip, sleeping under canvas, in Snowdonia, North Wales. It was a somewhat battered old twin-lens reflex camera in which one looked downwards in to the viewfinder when taking a photograph.

I remember being very excited at being entrusted with the family camera, film wasn’t cheap and I had very little to no idea how to use it. The experience must have made some kind of impression on me as, after all these years, I still remember taking my first photograph. The coach stopped en-route at Blenheim Palace, the ancestral home of Sir Winston Churchill and it became the subject of my first photograph. Although, sadly, like my other photographs from the trip, it has long since disappeared, however, I really don’t need the photograph to remind me as the experience is indelibly etched on my mind. I wonder if this is perhaps where my interest in landscape photography stems from but that’s probably too much of an assumption. As far as I remember I was the only kid on the trip to have a camera, that’s how different things were, nowadays, just about everyone has a camera of some sort built in to their mobile phones. It also taught me to be disciplined to the point of being frugal when taking photographs as the trip was for one week and I only had a 12 exposure black and white film in the camera.

Some years later I really got the photography bug and bought my first camera, an Olympus OM-1 35 mm film camera and I went on to own their OM-2 and OM-4ti cameras and a range of lenses. Film was still pretty expensive considering I earned about £20 a week in my first job so I got in to developing and printing my own black and white and, later, colour films to help keep the costs down and make things more affordable. Not only did this experience teach me an awful lot about image-making start to finish, many of the techniques and skills that I learned in my makeshift darkroom, a small room adorned with genuine World War 2 blackout curtains fitted to keep out the light, another hand-me-down from my grandfather, these skills would re-surface and be invaluable some years later when I started working on processing my digital images.

I put myself through University as a mature student and I badly needed the money so I had to very reluctantly part with all my photographic equipment, but needs must. After I graduated I bought my first digital camera, a small fixed lens Kodak compact camera, reduced in a sale. It had, by today’s standards, a laughably small maximum image resolution of 640×480 pixels or, to put it another way, a stunning 0.4 Megapixels!. For all of this and further equipped with screw on wide angle and telephoto lens attachments, it proved to be a fabulous little camera which I took all over the place with me. Put simply, digital photography was a revelation, to me, no requirement for film, no real running costs and a lot of image capacity on a small memory card which I found absolutely liberating.

A few years before that I had discovered some free graphics editing software on the cover disk of a computer magazine and that started off my real passion for working with graphics and, ultimately, photo processing. So I then had all the tools I required to develop, pun intended and further, my interest in digital photography. Processing is where the magic starts for me, I am totally absorbed in and fascinated by the range of options that digital processing affords me. It encourages me, if, that is, I ever need encouragement, to constantly experiment with new styles, new techniques and is such an important part of my enjoyment and interest in photography.

I went on to own several DSLRs but, as I got older I began to find that they were simply too heavy and bulky. I switched over a few years ago to Micro Four Thirds cameras and lenses. My choice of MFT system was heavily influenced by my experiences with my Olympus film cameras, maybe it was, in truth, part based on nostalgia that I decided on their OM-D system. As a landscape/travel photographer I have to carry my gear around all day and the weight and bulk saving is highly significant. I’ve been very impressed with the image quality of my Micro Four Thirds equipment, it has traveled with me extensively, never let me down and I have never had cause to question my decision to go over to that format.

So my 50 year photographic adventure has led me from twin-lens reflex and single-lens reflex film cameras to digital cameras, from stumbling around in a dimly-lit darkroom to working with my images on my computer. I’ve heard it said on occasions, including a comment I read some while back by a very famous photographer, that cameras being so much an every-day item now and available in mobile phones etc. devalues photography. I feel quite the opposite, I firmly believe that it empowers everyone with affordable technology to take photographs and enjoy photography and that, in my opinion, is fantastic. Although I’ve very much enjoyed my personal photographic journey I do confess to feeling a slight tinge of regret that the technology wasn’t available when I started out but one can’t put the clock back and I intend to keep on embracing all these great technological advancements, experimenting and enjoying my work.

Please contact me if you have an enquiry about my work or would like to discuss a commission. If you've seen one of my works that you are interested in that isn't shown here please contact me and I can arrange to upload it. I hope that you find my work appealing and of interest.


✈ I specialise in landscape travel photography with a difference










A combination of Digital Photography and Digital Painting This is more than editing a photograph, it includes actual digital painting segments in the same work of art, generally on canvas. Artists using digital photography as a basis for a digital painting are doing paintography." (urban dictionary)






Music by Positively Dark courtesy of http://music.geisheker.com



THEMED GALLERIES














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MY PAINTOGRAPHY BLOG



NEW BOOK

Size Standard Landscape, 10×8 in, 25×20 cm
28 Pages
ISBN
Softcover: 9781388085643







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